Current Issue

Britannica definition

English literature, the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature. English literature has sometimes been stigmatized as insular. It can be argued that no single English novel attains the universality of the Russian writer Leo Tolstoy’s War and Peace or the French writer Gustave Flaubert’s Madame Bovary. Yet in the Middle Ages the Old English literature of the subjugated Saxons was leavened by the Latin and Anglo-Norman writings, eminently foreign in origin, in which the churchmen and the Norman conquerors expressed themselves. From this combination emerged a flexible and subtle linguistic instrument exploited by Geoffrey Chaucer and brought to supreme application by William Shakespeare. During the Renaissance the renewed interest in Classical learning and values had an important effect on English literature, as on all the arts; and ideas of Augustan literary propriety in the 18th century and reverence in the 19th century for a less specific, though still selectively viewed, Classical antiquity continued to shape the literature. All three of these impulses derived from a foreign source, namely the Mediterranean basin. The Decadents of the late 19th century and the Modernists of the early 20th looked to continental European individuals and movements for inspiration. Nor was attraction toward European intellectualism dead in the late 20th century, for by the mid-1980s the approach known as structuralism, a phenomenon predominantly French and German in origin, infused the very study of English literature itself in a host of published critical studies and university departments. Additional influence was exercised by deconstructionist analysis, based largely on the work of French philosopher Jacques Derrida. Of several poems dealing with English history and preserved in the Anglo-Saxon Chronicle, the most notable is “The Battle of Brunanburh,” a panegyric on the occasion of King Athelstan’s victory over a coalition of Norsemen and Scots in 937. But the best historical poem is not from the Anglo-Saxon Chronicle. “The Battle of Maldon,” which describes the defeat of Aldorman Byrhtnoth and much of his army at the hands of Viking invaders in 991, discovers in defeat an occasion to celebrate the heroic ideal, contrasting the determination of many of Byrhtnoth’s thanes to avenge his death or die in the attempt with the cowardice of others who left the field. Minor poetic genres include catalogs (two sets of “Maxims” and “Widsith,” a list of rulers, tribes, and notables in the heroic age), dialogues, metrical prefaces and epilogues to prose works of the Alfredian period, and liturgical poems associated with the Benedictine Office.